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BY: Adam Bakelman
WISP The night opened with Wisp, marking my first time seeing the band perform. With soothing vocals layered over hard hitting instrumentation, they wasted no time igniting MetLife with a high energy set that immediately engaged the early crowd. Vocalist Natalie Lu expressed her gratitude and excitement, sharing that this was only the band’s second time performing to an arena sized audience. Their debut on the MetLife stage had come just the night before. Wisp proved themselves a rising act not to be overlooked, leaving the impression that they’re a band worth following closely as their momentum builds. POLYPHIA Polyphia, the progressive rock instrumental kings, delivered a tight and dynamic set that showcased both technical precision and stage presence. From the flawless opener Loud to fan favorites like 40oz and The Worst, every note was met with enthusiasm. They closed with G.O.A.T., a performance that drew some of the strongest reactions of the night and cemented their reputation as masters of modern instrumental rock. KORN As anticipation grew, Korn brought a surge of nostalgia and intensity. Opening with Blind, the first strum of guitar unleashed a roar of excitement from the crowd. Jonathan Davis’s unforgettable “Are you ready?” set the tone for what would become an iconic set. The band powered through hits like Here to Stay, Twisted Transistor, and Shoots and Ladders closing with a stirring rendition of Metallica’s One as an outro. The movement of the audience never relented, a reflection of the band’s enduring energy. Davis paused mid set to take in the atmosphere of MetLife Stadium, a poignant reminder of their journey from small clubs to massive arenas over 32 years. Ending with Freak On A Leash, Korn once again proved there is no stopping them from delivering an experience fans will never forget. SYSTEM OF A DOWN You could just tell System of a Down’s set was going to be on another level. They launched straight into heavy hitters like Prison Song, Violent Pornography, and B.Y.O.B., immediately setting the tone for the rest of the night. Whether fans were headbanging on the barricade, caught in one of the many circle pits, or dancing from their seats, not a single person stood still. With fan favorites like Chop Suey!, Lonely Day, and Lost in Hollywood, Serj Tankian (vocals), Daron Malakian (guitar), Shavo Odadjian (bass), and John Dolmayan (drums) delivered with flawless precision. Their energy throughout the show radiated love for their craft and passion for giving the fans something unforgettable. The set stretched to 26 songs, including a powerful cover of Black Sabbath’s Snowblind as a tribute to Ozzy Osbourne. Daron took a moment to recall Ozzfest memories, thanking his idol for the inspiration and opportunity. Closing the night with Toxicity and Sugar, System of a Down left the audience exhilarated and cemented the concert as a masterclass in live performance. Having System of a Down and Korn collide for an unforgettable two nights at MetLife Stadium proves that rock and metal will forever hold a special meaning in bringing people together.
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BY: Terrell Stewart I have always enjoyed going to Fiddlers Green Amphitheatre for concerts, a great outdoor venue with the option to sit in seats or sprawl out on the lawn. I was looking forward to seeing Collective Soul again, always a great time with them. The band +LIVE+ was sharing the stage this evening along with Our Lady Peace. Both bands I was not familiar with. I know, where have I been! Starting the night off was Our Lady Peace, an alternative rock band hailing from Toronto, Canada. They opened their set with “Superman's Dead” from their 1997 album Clumsy, instantly setting the tone for a night of high energy rock music to get up and move to. Their fans jumped and cheered to the song’s, “Clumsy” and “Somewhere Out There”. The lights danced across the stage through light fog as the band poured out their hearts through their music. They finished their short but energetic set with “Sound the Alarm” from the 2024 EP, OLP 30 Volume 1. Needless to say, I became a big fan. Our Lady Peace members: Raine Maida – lead vocals, rhythm guitar, acoustic guitar (1992–present) Duncan Coutts – bass, backing vocals (1995–present) Steve Mazur – lead guitar, keyboards, backing vocals (2002–present) Jason Pierce – drums, percussion (2016–present; touring member 2014–2016) Set List: Superman's Dead Whatever Innocent Clumsy Somewhere Out There Starseed Sound the Alarm OUR LADY PEACEx LIVE xThe stage was set and the large video screen in back of the stage lit up as +LIVE+ made their way out to a cheering crowd as lead singer Ed Kowalczyk with guitar in hand took to the mic and the band stepped back in time opening their set with “Pain Lies on the Riverside” from the 1991 album, Mental Jewelry and the energy poured out from the stage and their fans soaked it up like sponge. With the lights dancing through the fog, the video screen displaying different works of art +LIVE+ had their fans on their feet and moving. Ed Kowalczyk’s power vocals filled the venue backed by very strong musicians that added their stage presence to the energy filling the venue. Guitarist Zak Loy displayed his talent as his fingers worked their magic, moving about the stage and at times pouring out his vocals. The set list was a journey back in time with songs from the 1994 album Throwing Copper, “All Over You”, “Iris”, “Shit Towne”. Bassist Chris Heerlein was fun to capture as he moved back and forth under the lights and fog as the video screen was cycling through surreal and evocative works of art. +LIVE+ finished out their set with “Lakini’s Juice” from 1997’s album, Secret Samadhi. A short breather and the band returned for a powerful three song encore with, “Turn My Head” from 1997, “I Alone” and “Lighting Crashes” from 1994. Taking their bows the crowd roared with approval for a powerful show and I was along with them. +LIVE+ members: Ed Kowalczyk – lead vocals, rhythm guitar (1989–2009, 2016–present) Touring musicians Zak Loy – lead guitar, backing vocals (2022–present), rhythm guitar (2016–2022) Chris Heerlein – bass (2022–present) Johnny Radelat – drums (2024–present) Nick Jay – keyboards (2024–present) Set List: Pain Lies on the Riverside 1991 Selling the Drama 1994 All Over You 1994 Iris 1994 Lady Bhang (She Got Me Rollin') The Distance 1999 Shit Towne 1994 The Dolphin's Cry 1999 Leave the Radio On Rattlesnake 1997 Lakini's Juice 1997 Encore Turn My Head 1997 I Alone 1994 Lighting Crashes 1994 COLLECTIVE SOULIt was Collective Soul’s turn to keep the nostalgic evening of music going. The members of the band except ED came out and formed up in front of drummer Johnny Rabb as they began the opening to the song, "Mother’s Love” from their 2024 album, Here to Eternity to start their set. Ed wasn’t far from behind as he sauntered out in a greenish blue outfit, wearing a cowboy hat, big black rimmed glasses and walking with a cane. As I have seen before, ED takes the mic and they move together.
The musical journey through time began with “Heavy” from 1999 and then the song we all want to hear, “Shine” which always gets a loud cheer from their fans. A stage hand walked out and handed ED his guitar and Ed turned to brother Dean taking his hat off and putting on Dean’s head while Ed put the guitar strap over his head. From there the trip through time continued with songs, “Precious Declaration” from 1997, “The World I Know” from1995. Throughout their set, Ed would stroll around and dance a little and guitarist Jesse Triplett and Dean Roland would get together and work their magic with big smiles on their faces. Collective Soul closed out their evening with “Where the River Flows” from 1995 and “Run” from 1998. This was such a fun show because there was no mention of politics or what's going on in the world. It was all about the music. No encore just ED thanking everyone and stating, God Bless you and God Bless America. Collective Soul members: Ed Roland – lead vocals, additional guitar, keyboards (1992–present) Dean Roland – rhythm guitar (1992–present) Will Turpin – bass, backing vocals, auxiliary percussion (1994–present) Johnny Rabb – drums, percussion, backing vocals (2012–present) Jesse Triplett – lead guitar, backing vocals (2014–present) Set List: Mother's Love 2024 Heavy 1999 Right as Rain 2019 Shine 1993 Precious Declaration 1997 Keep It on Track 2024 She Said 1997 The World I Know 1995 December 1995 Tremble for My Beloved 1999 Gel 1995 Where the River Flows 1995 Run 1998 A REVIEW BY: KAT GULLAGE PHOTOS BY: HOLLY ROY PHOTOGRAPHY NONPOINT brought their highly anticipated Painful Statements tour to The Webster in Hartford with Autumn Kings and Upon A Burning Body as support. The 1200 capacity theater was filled with Nonpoint fans ready to hear the deeper cuts off of “Statement” and “To The Pain”. The first opener was Autumn Kings. Originally from Canada, they later relocated to nearby Detroit. The band is made up of Jake Diab on guitar and vocals, singer Joseph Coccimiglio, drummer Troy Dawdy and a bass player they don’t mention in any of their socials. They opened with their single “Sleep When I’m Dead”. I described their sound as a “heavier Hoobastank” but they refer to themselves as “Linkin Park & Fall Out Boy had a baby”. I’m always a fan of shared vocals, and Jake led the next song, “Terrified” from Book Of The Broken, while Joseph bopped around enthusiastically in the limited stage space. The singer addressed the crowd “Hands up! Hands up! We are Autumn Kings! How ya feelin? We’re here to have fun with you!” We got two more singles with “Power” and “Snake Charmer” which sounded like the Mighty Mighty Bosstones gone wild. There were some loyal AK fans in the pit that screamed for more. They did a cover of Linkin Park’s “Bleed It Out”, the guitars and the crowd singing along were the stand out. They wrapped with “Hellbound” and “Thank You! You guys have been amazing!” It was a fun show, I’m sure we’ll be seeing more of them. Next up was the powerhouse metalcore band Upon A Burning Body, who proudly hail from San Antonio, Texas. Prior to their arrival, the pre-song that blasted through the house was Creed’s “One Last Breath” in its entirety. More than half the crowd sang along, word for word. They even cut the music at one point so all you heard was the fans. The foursome took their marks, singer Danny Leal, guitarist Ruben Alvarez, bassist Thomas Alvarez and drummer Tito Felix. Danny shouted “Hartford, what’s up?! Get your fists up in the fukin air!” He would continue to shout orders throughout the gig. They opened with “Daywalker” from the upcoming horror movie Detour. The guitarist sang a lot too. “Bang your head mother fuckers! Make some fucking noise! Open that mosh pit up!” And one does break out during the 2023 single “Killshot”. These guys were big loud y’all. “Lemme see those horns mother fuckers!” They all go up. “Open this mosh pit up! We’re Upon A Burning Body, we came all the way from Texas to be here with you tonight!” Two from Southern Hostility were up with “All Pride No Pain” and “King Of Diamonds”. “This is really fucking easy. You got one job, no matter where in the room you are, everybody fukin bounces. Don’t you fukin let us down!” Everyone in the pit obeyed during “Extermination” off of Built From War. Danny is a formidable presence, he gets the crowd to work it. There was a decent amount of UABB fans in attendance. Two singles followed with 2025’s “Drag Through Glass” and 2024’s “Another Ghost”. “Let’s see what that mosh pit can do! Lookin good tonight.” “Sin City” from Red. White. Green. was followed by Straight From The Barrio’s “B.M.F.” “This is where you circle pit!” The pit expanded on that cue, and the set wrapped with “Texas Blood Money” and Danny waving a huge Texas flag while he yelled “You know where we’re from?” Upon A Burning Body has six studio LPs and a shitload of singles. They flexed their metal muscle and delivered a fukin loud ass show that commanded your attention. The openers did a good job priming us for Nonpoint. The venue was full and energy came off the pit in waves. The back screen lit up just the band name in huge red letters. The players began to take their spots, each one wearing a black Nonpoint baseball jersey with red details. A prerecorded Elias came through the speakers and told the story of the beginning of the band. He then emerged in black pants, shirt and tie and they ripped off their best opening song. The one they should open every show with. The first track off of Statement, “Mindtrip”. We all lost our fukin shit. The pit was large and raucous, I was up front on the periphery of it. It was the LP in its entirety, so you knew the setlist. There’s not a bad song on it so the fun kept rollin with “Victim”, “Endure” (love that song!) and “Back Up”. We got another prerecorded chapter of what I’ll call the story of Nonpoint. I wanted to hear it, want to hear it still. But we were too hyped to be quiet enough to listen. I only got bits and pieces of it. I hope they release it, or maybe do a book. I know a good writer! They blew the roof off the place with “What A Day” followed by “Misled”. Then it was time for my, and apparently the band’s favorite, “Double Stakked”. I really felt that groove and holy shit did Robb beat the hell outta the drums on that. “Orgullo”, sung in Spanish, was beautiful even though I have no idea what the translation was. Another great cut, “Years” was followed by “Hive”, “Levels” and the mash up that is “Tribute” where Rasheed helped out on vocals. I had taken a few slams during the set, but at the end the dumb guy next to me tried to take a video in the mosh pit and got pulverized and stepped on my ankle. Like hard. I was all good, but took the opportunity during the intermission to exit the pit and hang back for the next segment. I knew ahead of time, and any fan that bothered to look knew that the band would be performing To The Pain in reverse order. Drummer Robb Rivera, bassist Adam Woloszyn, lead guitarist Jaysin Zeilstra, and rhythm guitarist Rasheed Thomas had changed to red Nonpoint baseball jerseys with black details and singer Elias Soriano added a white shirt and red tie to his black paints to replicate the cover of To The Pain. We nearly heard another chapter in the chronicle of the band. They ripped into “The Shortest Ending” and someone’s shoe flew off their foot and landed across the room. Next up was “Wrong Before”, “Code Red” and “Skin”. Elias proclaimed “What a crowd! This is why, for the second leg, we had to have Hartford!” Well deserved cuz the place was hoppin all night! “Explain Myself?”, the title track “To The Pain” and “Buscandome” were on deck. Nonpoint was fukin on point. They kept us wanting more. And more we got with “Explain Yourself”, fan favorite “Alive And Kicking”, “The Wreckoning” and “There’s Going To Be A War”. Eighty-three minutes plus the break flew by. The place went wild when the set ended with their biggest hit, “Bullet With A Name”. They graciously thanked us and took their signature selfie with the crowd. They sounded great, one of the best Nonpoint shows I’ve seen. It was only the second night though. I encourage you to revisit them, definitely catch a show and watch out for new music in 2026. AUTUMN KINGSUPON A BURNING BODYNONPOINTAN INTERVIEW BY: KAT GULLAGE
PHOTOS BY: HOLLY ROY PHOTOGRAPHY We sat down to chat with drummer Robb Rivera and ended up crashing the room where guitarist Rasheed Thomas was working on new beats. I introduced myself before quickly entering full fangirl mode. I’ve been a fan since the beginning and estimated this would be my twenty-sixth Nonpoint gig. I’ve seen them at festivals, clubs, and the 250 capacity closet they played last time they stopped in Hartford. I’m in their “Remember Me” (A Frontlines Tribute) music video. They collected video clips from 233 essential workers and Nonpoint fans and pieced them together to form the lyrics and messages, during Covid. Then I took a breath and said, “So ya know, love me some fucking Nonpoint”. ROBB: Is this being recorded? KAT: No. I’m a writer. (Robb eyeballs my notebook and cheap ass pen) KAT: (sings like “Double Stakked”) “This is how I burn….” Trust the process. (Both Rasheed & Robb smiled at that) KAT: Why this tour and why these two LPs? ROBB: Cuz it’s the anniversary. 25th for Statement and 20th for To The Pain. Seemed like the perfect time, we had nothin else goin on. Everybody got on board and we said Let’s Fuckin Go. KAT: When can we expect new music? ROBB: Probably next year. We’re writing on the road. (Rasheed was literally doing it at that moment.) We hope to be in the studio soon. KAT: Do y’all live near each other to jam? Or zoom each other? What’s that process? ROBB: Me and Adam and Rasheed live in the Chicago area. Adam lives in Indy but just over the border. Elias is still in Florida. We face time and we have a rehearsal area near us in Chicago. KAT: I read that Jerry Cantrell just puts song ideas into his phone and has like a billion things on there. Do you guys do stuff like that? ROBB: Oh yeah, all the time. RASHEED: Definitely. I’ll play stuff for Adam like (he hums and groans and makes musical sounds) and then Adam will be like “Check this out!” and go “duh-duh-duh-doom-doom-ba doom”. KAT: You play the instruments or you make those sounds? RASHEED: No instruments, just those sounds. KAT: I would literally kill to hear one of those conversations. ROBB: I do that too! “Boom-ka-ts-ts-ka-thump-snap-thwack” KAT: What is your favorite song to play off of Statement right now? ROBB: “Double Stakked” and “Misled”. I like the songs we play in their entirety. We had to shorten some of them into a medley so we don’t play for four hours. The set is eighty-three minutes. RASHEED: “Misled”. KAT: Favorite song to play off To The Pain right now? ROBB: “Explain Myself?” It's challenging for me to play. Especially because I wrote it in my twenties and now I’m playing it in my fifties. And I still love to play “Alive And Kicking”. RASHEED: “Explain”. KAT: Rasheed, you’re copying Robb’s answers. You’re out. RASHEED: Also “The Wreckoning!” KAT: Do you still get nervous pre-perfomance? ROBB: Yep, still get butterflies before shows. KAT: Who’s your favorite drummer? ROBB: Neil Peart. KAT: Who’s your favorite rhythm guitarist? RASHEED: Probably Hetfield. He really inspired me. ROBB: And Malcom Young from AC/DC. KAT: What are you listening to right now? ROBB: I’m a classic metal guy. Slayer, Pantera. And this band called Orbit Culture. RASHEED: I’ve been listening to jazz and soul, Butcher Brown. KAT: A while back I saw dUg Pinnick from Kings X post, and I’m exaggerating, that if their music got streamed a billion times they earned half a penny. What’s the best way for us, the fans, to support Nonpoint? ROBB: Well thankfully we’re independent so we cut out the middle man. But yeah, ya know, buy our merch, come to shows and buy physical over digital when ya can. KAT: As you mentioned earlier, we’re not in our twenties anymore, so how is that affecting your job, if at all? ROBB: Well tonight is only the second night on this leg of the tour. My foot actually hurt after last night. But it’ll be fine. I had a scare at a show back in January. My heart rate got super high and couldn’t get back in sync. The paramedics wanted to do some crazy shit like stop my heart to fix it and I was like no way. The band talked me into going to the hospital and they found out it was a sudden ventricular event and corrected it. They ran all sorts of tests and I checked out fine. I didn’t miss a show. I’ve been OK, it was a one time thing. Robb’s memory is insanely sharp. We talked about a show early in their career, they were opening a festival in Hartford. He remembered every detail, that the bus broke down in Jacksonville but, in a stroke of serendipity, right near a Prevost dealer. They were scheduled to go on at 2:30 and pulled up at 1:30. I remember seeing them fall out of the bus when they arrived. And I was right up front for their set. Robb said his favorite show, as a fan, was Pantera-Suicidal Tendencies-Exodus in Boston, UNTIL Metallica did a pop up show at a small club in the Chicago area. He got in line at 10:30AM, bought a $20 ticket and made it in. It was still during the covid scare, and they made him show his vaxx card. He got the setlist. That show has moved up to his number one. And he can recite every second of it. KAT: I’m really excited to hear “Double Stakked”. I almost added it to my smash playlist, cuz that groove makes me want to fuck, but not sure about the beginning of it. ROBB: The beginning part is sexy too!!! Add it!!! (I did) Robb and Rasheed had to head off to attend to their VIPs, so we thanked them and left them treats from a local apple orchard to show our appreciation. It was time for all of us, fans, band and crew to prepare for the main event. BY: Terrell Stewart
Thursday August 7, 2025: I arrived at Ball Arena right as the doors opened, drawn by more than just the music—I wanted to witness the spectacle of fans transformed. Makeup, robes, and elaborate costumes mirrored the band’s gothic grandeur, turning the concourse into a living tribute. Ghost’s no-cell-phone policy made perfect sense: this wasn’t just a concert, it was a shared ritual of sight and sound, where the boundary between performer and audience blurred. As one of only four photographers granted access, I felt a jolt of excitement as we made our way to the soundboard. The air inside was electric—buzzing with anticipation as fans streamed to their seats. The crowd was a cross-generational mix: older devotees, wide-eyed kids in face paint, and parents introducing the next generation to the spectacle. As the arena filled with the opening of Peacefield, the opening track from Ghost’s latest album, the stage remained completely obscured behind a towering curtain. No lights, no silhouettes—just sound. The music hung in the air like incense, setting a contemplative tone that felt more like a requiem than a rock show. Fans leaned forward, sensing something sacred about to unfold. Then, with a sudden drop, the curtain revealed the full tableau: Papa V Perpetua standing center stage, wearing a black shirt and silk tie. A silver mask that only covers his nose and around his eyes wearing a black hat. Behind him loomed the drum riser—an imposing, multi-tiered platform shaped like a gothic altar. Twin Tama bass drums sat like sentinels at its base, while cymbals and toms crowned the top like relics of ritual. The Nameless Ghouls flanked in black outfits with skeletons printed on them. Some wore hats while other members wore a head piece with a veil and their instruments were gleaming under the lights. The crowd erupted in a deafening roar and it was nice not to see 100’s of cell phones in the air. Above the stage was a very large set of lights shaped in a Grucifix that was tilled a bit behind the drummer. Throughout the show the lights danced across the stage through the fog, C02, and I loved seeing the dry ice flow to the front of the stage. I moved to my seat and I was very happy with the view, I could see everything on the stage. After the fourth song the Grucifix was raised to a level position and the back of the stage was lined with large church windows with stained glass artwork. The set list was a great mix of their music over the years. From 2010’s “Elizabeth”, “Devil Church” from 2015, “Cirice” from 2015, “Darkness at the Heart of My Love” from 2022. As the song Year Zero was finishing, flame throwers lined the back of the stage to add to the many effects on stage. Through all this, Ghost’s fans were loud and very supportive showing their love for the band. On stage the Nameless Ghouls moved about and at times moved to the front of the stage to display their wizard-like skills. At one point, Papa V Perpetua left the stage only to return from under the stage with a “cow bell”! Then handed it to one the Nameless Ghouls and they took to it. I couldn’t help chuckling about it! Winding down with “Monstrance Clock” from 2013, the band disappeared only for a brief moment. They returned with a three song encore, the arena went crazy as Ghost finished their evening with, “Mary on a Cross” “Dance Macabre”, and “Square Hammer” had the venue singing. This was one of the most amazing shows I have ever seen in my life! The music, the stage settings and lights from everywhere along with the other effects. This is a must see show and it ends in Houston, TX on August 16th. Ghost are: Tobias Forge and The Nameless Ghouls Set List: Peacefield 2025 Lachryma 2025 Spirit 2015 Per Aspera ad Inferi 2013 Elizabeth 2010 Call Me Little Sunshine 2022 The Future Is a Foreign Land 2024 Devil Church 2015 Cirice 2015 Darkness at the Heart of My Love 2022 Satanized 2025 Ritual 2010 Umbra 2025 Year Zero 2013 He Is 2015 Rats 2018 Kiss the Go-Goat 2018 Mummy Dust 2015 Monstrance Clock 2013 Encore Mary on a Cross 2019 Dance Macabre 2018 Square Hammer 2016 BY: Rick Lancaster The Heaviest Tour Of The Summer came through The American Family Insurance Amphitheater on Wednesday night August 6th. This incredibly heavy lineup featured the mighty Pantera, Amon Amarth, and King Parrot. It was a nice night on the lakefront in Milwaukee for mosh pits and head banging! The night started off with Australian's King Parrot. Their fast paced,kick you in the face songs such as "Bozo", "Sh*t on The Liver", and Fu*k You and The Horse You Rode In On" really set the tone for the night. They managed to squeeze in 8 songs in a blistering 25 minutes of raw lethal aggression. On to the Swedish melodic death metalers Amon Amarth. Their stage props included giant viking statues and a big Viking helmet which was the centerpiece for the drum riser. They also had live in-person people in ancient Viking costumes wielding giant swords. Their first three songs set the mood for their set with "Guardians of Asgard", "Shield Wall", and "The Pursuit of Vikings". The melodic death metaler's pushed on with "We Rule The Waves" and ended their set with "Twilight of the Thunder God". It's finally the moment we've all been waiting for.... The mighty Pantera!!! The anticipation builds as the crew puts up their giant curtain backdrop with their logo on it. As it gets closer and closer by the minute then the lights go black. Chaos and mayhem are set into motion when the first chords of "Hellboud" are struck.. not to mention all the badass pyro that was going off for the chorus. Then the bust into the classics "5 Minutes Alone", "Strength Beyond Strength" and "Mouth For War". They played songs spanning their entire career such as "10's", "I'll Cast A Shadow", "This Love" and "Cowboys From Hell". Their encore was a little special with a tribute to the legendary OZZY OSBOURNE with an "OZZY" chant before "A New Level". The Last three songs were "Walk", "Domination/Hollow" and "Fu**ing Hostile". As a huge Pantera fan growing up and having seen the OG "original" line-up perform I have to say what they're doing now with this celebration NOT a reunion is pretty awesome for all the people that never got to see the OG line-up. Phillip Anselmo, Rex Brown, Charlie Benante, and Zakk Wylde are doing the brothers (Darrell and Vince Abbott aka Dimebag and Vinnie Paul) R.I.P. justice.. If this tour comes near you, you should definitely go check it out!!! All remaining US Tour Dates below and more info can be found at https://pantera.com/tour 8/20/2025 Salt Lake City, UT – Utah First Credit Union Amphitheatre 8/22/2025 Auburn, WA – White River Amphitheatre 8/23/2025 Ridgefield, WA – Cascades Amphitheater 8/26/2025 Phoenix, AZ – Talking Stick Resort Amphitheatre 8/27/2025 Inglewood, CA – Kia Forum 8/29/2025 Las Vegas, NV – T-Mobile Arena 8/31/2025 Albuquerque, NM -Isleta Amphitheater 9/02/2025 Austin, TX – Germania Insurance Amphitheater 9/03/2025 Dallas, TX – Dos Equis Pavillion 9/05/2025 Noblesville, IN – Ruoff Music Center 9/06/2025 St. Louis, MO – Hollywood Casino Amphitheatre 9/08/2025 Birmingham, AL – Coca-Cola Amphitheater 9/10/2025 Virginia Beach, VA – Veterans United Home Loans Amphitheater 9/11/2025 Raleigh, NC – Coastal Credit Union Park at Walnut Creek 9/13/2025 West Palm Beach, FL – iTHINK Financial Amphitheatre KING PARROTAMON AMARTHPANTERA |
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