CROBOT​ Brings Cosmic Riffs and High Voltage Energy to The King Of Clubs in Columbus, OH

By: Evan J. Thomas

If rock and roll had a spirit animal, it would be Crobot — the cosmic funk, the dirty grooves, and raw, unfiltered energy on stage. The band touched down at The King of Clubs in Columbus like a meteor on Sunday night, turning the venue into a sweat-soaked temple of riffs, roars, and rock salvation just days away from Halloween.  One of the most energetic, outgoing and personable bands i've ever had the chance to meet. 

From the moment frontman Brandon Yeagley strutted onto the stage, mic twirling and glorious beard glistening under the lights, the crowd knew they were in for something special. His vocals were a powerhouse blend of soul and snarl, effortlessly soaring over the thunderous rhythm section and the fuzz-drenched guitar of Chris Bishop, who ripped through solos like a man possessed by the ghost of every great riff master to ever.  New additions to the band include Willy Jansen on bass and Nico Jansen on drums and they didn't miss a beat and brought their own energy to the stage. 

The setlist was a glorious mix of new material and fan favorites — my favorite “Low Life,” along with a brand new song "Gun To My Head" had the crowd belting every word, while deeper cuts reminded everyone just how deep Crobot’s grooves really go. Each song hit like a cosmic sermon, delivered with tongue-in-cheek humor and a groove so deep you could lose your shoes in it.

The King of Clubs, already known for its killer sound and sightlines, was the perfect setting for Crobot’s brand of controlled chaos. The lighting bathed the stage in neon blues and molten reds, amplifying the band’s larger-than-life presence. Yeagley commanded the stage like a rock ‘n’ roll ringmaster from another dimension.

And let’s talk about the band’s chemistry — it’s pure rocket fuel. Whether Bishop and Yeagley were trading grins between licks or the rhythm section locked into a groove so heavy it could warp gravity, Crobot’s tightness was undeniable. Yeagley at one point leaped onto the shoulders of the giant Bishop as they strutted around the stage together.  I've seen shows where they walk around the crowd but in this case that wasn't possible. 

By the end of the night, Columbus got a reminder that rock isn’t just alive — it’s thriving, snarling, and covered in interstellar dust.  

It was my first time at The King of Clubs and I couldn't have been more impressed.  With a very tall and long stage along with an area in front of the stage where the most passionate fans could be front and center and can be within reach of the band.  Behind that area is a seated area where you can pay an extra fee for a table and seats.  The bar is straight back of the stage and there is an awesome upstairs overlook where you can take in a different view of the show.  The sound is glorious, make sure you have your earplugs and the lighting is superb for photographers.   The King of Clubs is a destination you should put on your bucket list. 

If you missed Crobot at The King of Clubs, you didn’t just skip a show — you missed a cosmic experience.  The band will be on tour for the next several weeks so try and catch them before the end of the year.  #RockOn