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Summer of '99 Tour Ignites with Nostalgia, Chaos, and One Hell of a Saturday Night as LIMP BIZKIT, CYPRESS HILL, and SEVENDUST Deliver a Triple Punch for​the Ages

7/19/2026

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By: Evan J. Thomas

There are nostalgia tours, and then there's the Summer of '99 Tour, a festival sized celebration that doesn't simply revisit one of rock's most explosive eras, it reminds you why these bands continue to sell out amphitheaters decades later. Saturday's lineup was stacked from top to bottom, delivering nearly ten hours of hard rock, metal, punk, hip hop, and enough energy to leave thousands of fans smiling, sweaty, and hoarse.
From the opening act to the final encore, every band brought something memorable to the stage.

I was at this same venue in Tinley Park, IL back in 1999 when I saw Limp Bizkit open up at 12:30pm in the afternoon as they were fresh faces in the industry and picking up steam.  27 years later Fred Durst, Wes Borland and the boys are selling out and headlining every tour and festival they are booked for.  

Unfortunately I missed the second stage opener the Slay Squad so my day began with The Pretty Wild, who wasted absolutely no time getting the crowd moving. Their blend of infectious melodies, heavy riffs, and undeniable stage chemistry made for the perfect opening statement. Rather than easing fans into the day, they came out swinging, proving they belonged on a bill loaded with veteran heavyweights.

Their confidence was contagious, and by the end of their set, plenty of concertgoers who may not have known the band beforehand had become instant fans.

If anyone still questions whether Magnolia Park belongs on major festival stages, Saturday should have put those doubts to rest.

Mixing pop punk, hard rock, and modern metal influences, the band delivered one of the day's biggest surprises. Their performance was packed with huge choruses, crushing breakdowns, and an effortless connection with the audience.

Every member attacked the stage with purpose, and their passion translated directly into the crowd. Magnolia Park didn't simply play songs, they created moments. It was another reminder that they're quickly becoming one of the most exciting young bands in rock.

When Puddle of Mudd took the stage, the crowd immediately shifted into full singalong mode.
Kicking off their set with "Control" and the bands other tracks that defined early 2000s rock had thousands of fans screaming every lyric, proving these songs have lost none of their staying power. The band delivered a straightforward, no frills rock performance that gave fans exactly what they came for familiar riffs, massive choruses, and a healthy dose of nostalgia.

There was absolutely nothing nostalgic about Kittie's performance. It was heavy. It was aggressive. It was downright punishing. The reunited metal pioneers reminded everyone why they became one of the defining heavy bands of their era. Their riffs hit like a freight train while the rhythm section never let up for a second.  Their stage presence was commanding, their chemistry was undeniable, and every song felt like an assault in the best possible way. Kittie didn't just perform they dominated.

If there was any doubt that Sevendust remains one of the tightest live bands in rock, Saturday erased it immediately. The legends delivered what many considered one of the strongest sets of the day.

Lajon Witherspoon remains one of the most charismatic frontmen in music, effortlessly commanding the audience while delivering powerhouse vocals that somehow continue to get better with age. Clint Lowery's guitar work was razor sharp, Morgan Rose attacked the drums with relentless intensity, and the entire band played with the precision they've become famous for.

We were hit with a moment mid set as Fred Durst surprised the band on stage with hugs (see photos) and then quickly scurried off the stage. 

Every Sevendust song hit harder than the last.  Every chorus became a stadium wide singalong. Every breakdown rattled the amphitheater.  Whether you've seen Sevendust twice or twenty times, they somehow continue to find ways to make every performance feel special.

Then came perhaps the most unforgettable performance of Saturday. Cypress Hill transformed the amphitheater into one giant celebration. Clouds of smoke drifted across the crowd while fans rapped every lyric word for word, creating an atmosphere unlike anything else on the bill.

B-Real and Sen Dog controlled the audience effortlessly, blending hip-hop swagger with rock festival energy. 

Then came the surprises. Their crushing cover of Rage Against the Machine's "Bombtrack" injected an explosive dose of rap metal fury into the set, proving just how naturally Cypress Hill can cross genres.

As if that wasn't enough, they launched into House of Pain's "Jump Around," sending thousands of fans into synchronized jumping chaos. The entire venue erupted into bouncing bodies, raised fists, and smiles stretching from the front rail to the lawn. It wasn't just a concert it felt like one massive party and you can smell it from anywhere inside the Credit Union One Ampitheater. 

When the countdown clock on the big screen hit 0.00 and the lights dimmed Limp Bizkit hit the stage, the anticipation reached another level.

From the opening notes of "Hot Dog" , the band unleashed a relentless, hit filled performance that reminded everyone why they became one of the biggest bands of the late '90s and early 2000s.

Fred Durst had the crowd in the palm of his hand from beginning to end, effortlessly balancing humor, swagger, and crowd interaction. Wes Borland once again proved why he's one of rock's most visually captivating and creative guitarists, delivering massive riffs while sporting one of his signature unforgettable stage looks.

"Break Stuff" hit like a ton of bricks as I looked back and saw the cheap seats in the lawn in a massive mosh pit.  John Otto  locked into groove after groove, while DJ Lethal added the textures that helped define Limp Bizkit's unmistakable sound.

Every song became another explosive singalong. Every breakdown triggered another sea of bouncing fans. Every chorus echoed throughout the venue. The band didn't simply close the show they fucking detonated it. By the time the final notes rang out, it was obvious everyone in attendance had witnessed something special.

Final ThoughtsThe Summer of '99 Tour isn't just about revisiting the soundtrack of another era. It's a celebration of bands that have stood the test of time while continuing to deliver unforgettable live performances.

From The Pretty Wild and Magnolia Park proving the future of rock is in good hands, to veterans like Puddle of Mudd, Kittie, and Sevendust reminding fans why they've endured, to Cypress Hill throwing one of the most entertaining "smoked out" sets of the summer, before Limp Bizkit brought the house down with a fittingly explosive finale, Saturday's show was everything a summer rock festival should be.

It was loud. It was chaotic. It was nostalgic. And above all else...

It was a reminder that live music still has the power to unite thousands of strangers into one unforgettable experience.  I'm looking forward to Sunday's lineup with Creed and Bush headlining.  

THE PRETTY WILD

MAGNOLIA PARK

PUDDLE OF MUDD

KITTIE

SEVENDUST

CYPRESS HILL

LIMP BIZKIT

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  • Home
  • The Magazine
  • Headlines
  • Features
    • 5 Questions Of Fury
    • Admit One: Sounds, Stories, Stages
    • Shots That Rock: One Photo, One Story
    • This Week In Rock History
    • Top 5
    • 2025 Music Awards
  • Radio App
    • On Demand Radio Shows >
      • Big Bear Radio
      • Dirty. Groove. Rock.
      • Doc Rock's Metal Shop 101
      • Monday Morning Mixtape
      • Rock Hard with Evan J. Thomas
      • Second City Sound Check
      • Takeover
    • Podcasts >
      • Better Listen Up with Evan J. Thomas
      • Chord Progression Podcast
      • Concert Junkies Rob and Jon
      • Rock Fan Radio
  • Music Reviews
    • Spin It Back - Throwback Albums
  • Concert Reviews & Photos
  • Press Releases
  • Interviews
  • Movie Reviews
  • Contact
  • Event Calendar
  • Store