By: Philip Sayblack

​The new year is getting off to a solid start for hard rock and metal fans.  Alter Bridge opened the year early this month with the release of its new self-titled album.  That record was unquestionably the first great hard rock album of the new year.  Now Friday, Death Dealer has joined that list with the release of its brand-new album, Reigh of Steel.  Released Friday through Massacre Records, the 10-soong record is the band’s fourth album and first studio recording in more than four years following the release of its EP, Fuel Injected Suicide Machine in November 2021.  That record was preceded by the band’s third album, Conquered Lands, which was released in November 2020 through Steel Cartel Records.  This latest offering from Death Dealer is another solid offering from the band.  That is proven in part through its featured musical arrangements.  The lyrical themes that accompany the album add to its interest.  The record’s sequencing rounds out its most important elements.  Each item noted is important in its own way to the whole of the presentation.  All things considered they make Reign of Steel the next great new hard rock and metal album of 2026.
Reign of Steel, the fourth full-length studio recording from Death Dealer, is a strong new offering from the band.  That is proven in no small part through its featured musical arrangements.  From the beginning to the end of the 46-minute presentation, the arrangements offer audiences a wide range of sounds and styles.  Right from the album’s outset, audiences get a composition in ‘Assemble,’ that blends a variety of sounds and styles in itself.  As the song opens, its first bars present something of a doom metal approach but as the song progresses, audiences get more of a power metal/hard rock approach a la Iced Earth, Judas Priest, Iron Maiden.  That approach takes listeners on through to the end of the nearly five-minute composition while maintaining its identity throughout separate from works from the noted bands.  To that end, it is a unique work in itself.
‘Bloodbath,’ the album’s midpoint, takes things in a completely different direction opting for a more thrash style sound a la vintage Exodus and Testament.  Vocalist Sean Peck’s soaring operatic scream and the work of his fellow musicians – guitarists Ross “The Boss Friedman and Stu Marshall, drummer Steve Bolognese, and bassist Mike LePond – make the song’s musical presentation completely immersive.  It is a song that stands starkly (in the best way possible) against the rest of the album’s entries.
As the album’s second half opens, the band maintains the album’s musical interest by changing things again in ‘Raging Wild and Free.’  This song, which seems to be a celebration of the familiar topic of living the rock lifestyle, of being individuals, presents a musical arrangement that is honestly completely unexpected.  Instead of being the high energy rocker that one might expect, considering the lyrical theme, the song is instead a vintage hard rock ballad approach instead.  The contemplative yet still positive mood that the band establishes here definitely makes the composition stand out.
As the album proceeds to its finale, ‘Reign of the Night,’ the band continues to present plenty of hard rock, power metal and even some 80s hard rock leanings throughout the album’s second half.  At the same time, the compositions presented continue to maintain their own identity separate from the works of so many of Death Dealer’s contemporaries.  All things considered Reign of Steel proves to be a record whose musical body gives audiences reason enough to take in this album.
The musical arrangements featured throughout Reign of Steel are just a portion of what makes the record a success.  Its lyrical themes are just as notable as its musical content.  As with Death Dealer’s existing albums (and its one EP), the lyrical themes hardly match the ominous tone of the band’s name, and that is a good thing.  Rather the themes featured herein are more proof of why hard rock and metal remain so beloved.  This has already been evidenced through the album’s singles — ‘Blast The Highway,’ ‘Bloodbath,’ and most recently ‘Riding on the Wings’ – show.  ‘Blast The Highway’ is just about a person being behind the wheel, out on the road, pushing the pedal to the floor, etc.  It is a basic theme that has been done countless times from other rock and hard rock acts past and present.  It is just as engaging and entertaining here as in those other cases.  ‘Bloodbath’ takes on the infamous sinking of the U.S.S. Indianapolis during WWII and what happened to the sailors who manned the ship.  ‘Riding on the Wings’ is another WWII-era story that focuses on the aces who fought the air war over the Pacific.
They are only some of the interesting topics the band raises in these songs.  ‘Devil’s Triangle’ is a story about the infamous Bermuda Triangle while ‘The Sleeping Prophet’ is about famed clairvoyant Edgar Casey.  For those who may be less familiar with Casey’s history, he somehow managed to come up with treatments and cures for various sicknesses while he slept.  How he gained access to the information that he gained during sleep is still a topic of great discussion to this day.  The band even goes full-on fantasy in ‘The Dragon of Allogorath,’ one of the album’s even later entries.  In other words, Death Dealer once again offers audiences a wide range of themes and topics throughout the course of its latest album, serving as the basis, in turn, for plenty of discussions and just as much engagement and entertainment.  Considering all of the historical people and events that the band has touched on to this point, it is a surprise that the group has not yet partnered with the likes of Sabaton for any work.  That is a collaboration that deserves to happen.
The whole of the album’s overall content puts this record over the top.  For all that the overall content does to make the record worth hearing, there is still one more item to examine, that being the sequencing of said content.  From the beginning to end of the album, the sounds and styles change just enough from one to the next to keep things interesting.  The same applies with the record’s lyrical themes.  The band never stays on one topic too long or one musical style too long, either.  To that end, the aesthetic impact of the attention to detail in the sequencing completes the album’s presentation, ensuring once and for all that the album will hold its place long term amid this year’s field of new hard rock and metal albums.
Reign of Steel, the latest album from Death Dealer, is a strong new offering from the hard rock “super group.”  The record’s appeal comes in part through its featured musical arrangements, which offer listeners a welcome range of hard rock and metal sounds and styles.  From power metal to vintage metal to even some vintage thrash, the sounds and styles featured here do plenty to make Reign of Steel worth hearing.  The record’s lyrical themes once again provide their own diversity, touching on topics of history and even fantasy.  It is a familiar approach for the band even in this case that still presents new topics from those presented in the band’s existing catalog.  That in itself is sure to keep readers engaged and entertained.  The sequencing of that content puts the finishing touch to the record, ensuring a positive aesthetic impact.  Each item examined is important in its own way to the whole of the record.  All things considered they make Reign of Steel a record that will be around by year’s end among this year’s new hard rock and metal albums.
Reign of Steel is available now.  More information on the album is available along with all of Death Dealer’s latest news at:
Website: https://www.deathdealermetal.com

By: Philip Sayblack

The new year is only a handful of days old but already things are getting off to a strong start for rock and hard rock fans thanks to Alter Bridge.  The band released its latest album, Alter Bridge Friday through its longtime label Napalm Records.  Spanning 12 songs, this roughly hour-long album (the band’s eighth studio album) is the first great hard rock record of this year.  The four singles that the record has already produced – ‘Scales are Falling,’ ‘Playing Aces,’ ‘Self-Divide’ and ‘What Lies Within’ – have already made that clear.  They are just some of the record’s most notable entries.  ‘Power Down,’ the album’s third track, is its own notable addition to the album.  It will be discussed shortly.  ‘Hang By a Thread,’ which comes much later in the record’s run, is another moving addition to the album.  It will be discussed a little later.  ‘Slave to Master,’ the record’s closer, is yet one more solid addition to the album.  It will also be discussed later.  Each song noted here plays its own important part to the whole of Alter Bridge.  When they are considered alongside the album’s singles and that whole with the album’s remaining songs, the whole makes this record another powerful blend of heaviness and heart that easily makes it a record that will be among the best of this year’s new hard rock albums come December.
Alter Bridge, the brand-new self-titled album from Alter Bridge, is a powerful new record that continues the success that the band has established over the course of its seven previous albums.  The singles that it has already produced have made that clear.  They are just part of what makes the hour-long record so successful.  There are plenty of other entries herein that make the 12-song record worth hearing, one of which being the early entry, ‘Power Down.’  The album’s third track, this song clocks in at just over four minutes.  In regard to its musical arrangement, this song has all of the melodic hard rock styling that audiences have come to expect from Alter Bridge over the course of its seven previous albums.  Front man Myles Kennedy’s vocals are just as powerful as ever here, soaring at points and pointed at others.  His delivery is a perfect compliment to the work of guitarist Mark Tremonti, bassist Brian Phelps and drummer Scott Phillips  The richness and heaviness that the Tremonti and company bring to the song makes the song’s instrumentation its own high point here.
The power in the song’s musical arrangement pairs well with the song’s lyrical theme, which comes across as a reminder of sorts to appreciate what we have in life.  This is just this critic’s interpretation.  The seeming message is inferred as Kennedy sings in the song’s lead verse and chorus, “Take while there’s time/Know the heights just out of reach/Are yours to climb/But fate will decide/For the shadows never sleep/.Why don’t you stop/For a minute/Take a little bit of time/Take what is given/Don’t let this moment pass you by/Power down/Just long enough/To see what you might find/A life that is so beautiful/Was right there all the while/Power down.”  This message comes across as being relatively clear.  It is up to us to reach the heights that we want but we should also keep in mind what we have versus what we want.  The message continues in the song’s second verse, which finds Kennedy singing, “How far you have come/Was it worth it in the end/To touch the sun/You burned to become/Still you’ll never be enough.”  Here again is that reminder.  “Was certain success worth the sacrifice?” is what he is asking.  The song’s third verse puts the period on the statement as Kennedy sings, “How long will you wait/Until you slow the pace/The sands of time are running down/Running to escape will only seal your fate/It’s time to face the truth right now.”  Once more, this is Kennedy reminding audiences we cannot escape life and all that comes with it.  Running from it will only make things worse, so it is up to us to accept and appreciate what we have in life.  This is a statement that is certain to resonate with anyone who takes in the song.  When it is paired with the song’s equally rich, heavy musical arrangement, the whole therein makes the song in whole a clear example of how much Alter Bridge has to offer audiences.
As much musical heaviness as Alter Bridge offer audiences throughout its body, it also offers some heaviness through some softer moments, one of which being ‘Hang By a Thread.’  The musical arrangement featured in this four-minute-plus is that melodic, almost ballad type composition.  Yes, the comparisons to other softer Alter Bridge songs are easy.  At the same time, the Creed comparisons are just easy.  More specifically, audiences can make comparison here to the likes of Creed’s ‘With Arms Wide Open’ in regard to the sound and stylistic approach.
The song is as heartfelt as ‘With Arms Wide Open’ and some of Alter Bridge’s more emotional moments not just in the musical approach, but also in its lyrics.  In this case, audiences get the story of a man at his lowest but still somehow managing to tell himself that he will keep going despite being so emotionally torn.  This is evident right from the outset as the man sings, “There is nothing left/I’m giving in/I can’t win/I’ve been wasting time/I won’t pretend/No, not again/Never again/I was fooled/How could I know/That this was doomed to fall apart/But the truth is hard to hold/When time reveals a dark and heavy heart/I can bear the weight of this no more/I can’t ignore/The spite and scorn/And these bloodshot eyes/Are battle worn/God**** this war/Can’t take this much more/But my dignity and pride/Are like a shield to this abuse/In the end/I will survive/I’ve seen the darkest days/But now I’m free to choose/A life away from you.”  This is someone who has gone through something very bad with another person.  Such songs are a dime a dozen across the musical universe, but that the band reveals this only so late in the song is unique, making for some power.  The man’s message of hope continues in the song’s chorus as he sings, “And though I hang by a thread/You’ll never keep a good man down/And though you pushed to the end/It’s time for me to stand my ground.”  This simple, moving statement is so powerful.  Regardless of what led to the negative situation that left this man at his lowest, that he has reached that point of knowing he can and will survive, that he will stand his ground, is certain to encourage plenty of audiences.  If it moves some audiences to tears, that is perfectly fine, too.  Those tears will be shed of happiness at the revelation that one can get through those dark times.  To that end, the positivity herein pairs with the emotional depth of the song’s musical arrangement to make this song yet another example of how much Alter Bridge has to offer audiences.
Yet one more example of how much Alter Bridge has to offer audiences is the song’s closer, ‘Slave to Master.’  The album’s longest track, it clocks in at just over nine minutes.  The song’s musical arrangement forms its own interest herein.  That is because it is presented in what feels like a series of movements.  At first is the soft, thoughtful opening that then gives way to a much heavier, hard rock approach.  That second movement eventually makes way for an even heavier, more contemplative third movement.  Each increasingly heavy moment transitions smoothly from one to the next, thus illustrating so well, the depth of the song’s lyrical message.
That lyrical message herein is one of hope and determination.  It is a story of sorts, that opens with the main subject reminding audiences that we can begin anew despite everything that has happened in life.  From there, the subject sits “Silent/Still and waiting.” From there, the heaviness grows as the realization hits home that the future is uncertain and that is scary but “We must fight ‘til the end” because we will be “At the mercy of/What will guide us/To our end/If we don’t/Wake up and take hold/And fight to atone.”  Even with that revelation, some uncertainty remains.  We still ask, “Where do we go?”  This as the song reaches its powerhouse final bars.  It leaves audiences with such thought, but in a good way.  To that end, the familiar message of taking control of our own destinies, despite forces that work against us and uncertainty of the future serves as a powerful final statement to this record whose overall message from one song to the next really is that of hope, of making one’s own life better.  When the song’s musical arrangement is paired with that message, the whole gains that much more impact.  To that end, when this song and the others examined here are considered collectively, they go a long way toward showing the strength of Alter Bridge’s new self-titled album.  When that trio is considered alongside the album’s singles and that whole with the record’s remaining songs, the whole therein makes Alter Bridge a strong start to 2026’s field of new hard rock albums.
Alter Bridge, the eponymous latest album from the band in question, is a solid new offering from the veteran hard rock outfit.  That is proven through its musical arrangements and its lyrical themes.  The record’s singles have already made that clear.  The songs examined here do just as much to support said statement.  When that whole is considered alongside the album’s remaining songs, the whole therein makes Alter Bridge the first great hard rock album of 2026.
Alter Bridge is available now.  The band will launch a European tour in support of the album Jan. 15 in Hamburg, Germany. A North American tour spanning Apr. 25-May 24 will follow. The band’s current tour schedule is noted below:
Previously announced What Lies Within Tour Dates
Jan 15 – HAMBURG, GERMANY – Sporthalle 
Jan 17 – OSLO, NORWAY – Sentrum Scene
Jan 18 – OSLO, NORWAY – Sentrum Scene
Jan 20 – STOCKHOLM, SWEDEN – Annexet 
Jan 22 – HELSINKI, FINLAND – Ice Hall Black Box
Jan 24 – COPENHAGEN, DENMARK – KB Hallen
Jan 25 – BERLIN, GERMANY – Columbiahalle 
Jan 27 – GLIWICE, POLAND – Prezero Arena Gliwice
Jan 28 – BUDAPEST, HUNGARY – Barba Negra 
Jan 30 – VIENNA, AUSTRIA – Gasometer 
Jan 31 – ZAGREB, CROATIA – Bocarski Dom
Feb 02 – ROME, ITALY – Atlantico 
Feb 03 – BERGAMO, ITALY – ChorusLive Arena
Feb 05 – ZURICH, SWITZERLAND – The Hall
Feb 06 – LYON, FRANCE – Halle Tony Garnier
Feb 08 – BARCELONA, SPAIN – Razzmatazz 1
Feb 10 – LISBON, PORTUGAL – Sagres Campo Pequeno
Feb 12 – MADRID, SPAIN – Palacio Vistalegre
Feb 13 – BORDEAUX, FRANCE – Arkea Arena
Feb 15 – LUXEMBOURG, LUXEMBOURG – Rockhal 
Feb 17 – OBERHAUSEN, GERMANY – Oberhausen Turbinenhalle
Feb 18 – PARIS, FRANCE – Zenith 
Feb 20 – MUNICH, GERMANY – Zenith 
Feb 22 – AMSTERDAM, NETHERLANDS – Ziggo Dome
Feb 23 – BRUSSELS, BELGIUM – Ancienne Belgique
Feb 25 – NEWCASTLE, UNITED KINGDOM – Utilita Arena 
Feb 26 – MANCHESTER, UNITED KINGDOM – AO Arena
Feb 28 – DUBLIN, IRELAND – 3Arena 
Mar 02 – GLASGOW, UNITED KINGDOM – OVO Hydro 
Mar 04 – LONDON, UNITED KINGDOM – The O2
Mar 05 – NOTTINGHAM, UNITED KINGDOM – Motorpoint Arena
Jun 27 – CARDIFF, WALES – Blackbird Festival @ Cardiff Castle
What Lies Within U.S. Tour 
Apr 25 – Orlando, FL – House of Blues – TM
Apr 26 – Atlanta, GA – Coca-Cola Roxy – 7D/TM
Apr 28 – Houston, TX – Bayou Music Center – F/TM
Apr 29 – Dallas, TX – South Side Ballroom – F/TM
May 1 – Tulsa, OK – Skyline Event Center at Osage Casino Hotel – F/TM
May 2 – Omaha, NE – Steelhouse Omaha – F/TM
May 5 – Green Bay, WI – EPIC Event Center – F/TM
May 6 – Chicago, IL – The Salt Shed – F/TM
May 9 – Atlantic City, NJ – Event Center at Borgata Hotel Casino & Spa  – F
May 10 – Boston, MA – Citizen House of Blues Boston – F/TM
May 12 – Huntington, NY – The Paramount – F/TM
May 13 – Montclair, NJ – The Wellmont Theater – F/TM
May 18 – Pittsburgh, PA – The Roxian Theatre – F/TM
May 19 – Detroit, MI – The Fillmore Detroit – F/TM
May 21 – Nashville, TN – The Pinnacle – 7D/TM
May 22 – Birmingham, AL – Avondale Brewing Company – F/TM
May 24 – Tampa, FL – Seminole Hard Rock Tampa Event Center – F/TM
More information on the album is available along with all of Alter Bridge’s latest news at:
Website: http://www.alterbridge.com
Facebook: http://www.facebook.com/alterbridge
Twitter: http://twitter.com/alterbridge